Like Adobe, ACDSee has been around because the early days of electronic photography. Despite its comparative loss of name attention, ACDSee’s photo workflow and modifying kit, ACDSee Photo Studio Ultimate, has long had partisans who like it to Lightroom. ACDSee continues to develop its program, and it now consists of Photoshop like layer modifying functions. Some of the program’s tools, similar to its Light EQ adjusters, are especially good.
It’s also one of the faster photo workflow apps, but it still falls in need of its top competitors in initial raw camera file conversion exceptional, effectiveness of corrections, and interface usability. The program runs on Windows 7 SP1 through Windows 10. There’s also Photo Studio for Mac $99. 99, now at edition 5, that works on macOS 10. 12 and later. That program also converts raw camera images, plays batch operations, and geo tags maps, but it lacks the Windows edition’s face consciousness, LUT assist, and local brush adjustments.
The Windows program, reviewed here, requires a 64 bit CPU and at least 2GB RAM 6GB RAM or more suggested, an Intel i3 or better processor, 512MB Video RAM VRAM, a DirectX 10 suitable photographs adapter, 1024 by 768 show resolution 1920 by 1080 recommended, and 2GB of accessible harddisk space. After selecting your photo folder, you get the option of constructing a catalog. This is a database that makes it possible for non destructive modifying, saving your edits individually from the long-established photo files. After editing, you just export a edition of the edited image. Lightroom9.
99 Per Month at Adobe uses a catalog in exactly an analogous way. With either app, which you could keep photos on whatever garage you love, and the catalog will keep track of its vicinity. The catalog also stores any organization you do with a photo, such as key phrase tags, rankings, notes, and more. As with most such program, ACDSee Photo Studio Professional activates you to create a backup of the catalog file every month. ACDSee has accreted a large number of buttons, menus, modes, panels, and toolbars over the years, all of which can be overwhelming. It uses the fascinating black or very dark gray interface commonplace among pro photo and video applications.
A Quick Start guide that seems on first run takes you through all the program’s modes: Manage, Photos, View, Develop, Edit, 365 the online view, Dashboard, and Connect. A Workspace button permits you to enable the default in addition to your own custom preset workspaces. Panels can be dragged out of the most window, but pinning them back isn’t as easy as it could be. A clever control at top right lets you easily show and conceal the left source panel, bottom filmstrip manage, and right side info panel, but other programs use the more intuitive cave in arrows for this. Double clicking on a handle slider does not bring it back to the default, the manner some apps work and how I prefer. There is, even though, a reset button in each edit group.
You can zoom with Ctrl Mouse Wheel, click a 1:1 button at the base to see the total size image, or use a slider next to that to set percent view. Unfortunately, there is not any before and after side by side view for comparing edits to the customary, but there’s a toggle button that shows the original. A Snapshots tool allows you to save copies of edits, too.